![]() You are about to participate in a great adventure. We repeat: there is nothing wrong with your mind control box. For the next few decades, sit quietly and we will control all that you see and hear (if you see it like advertisers, it's marketing, you think and feel what we want you to, if you don't it's off to the nut house for you soon). We can change the focus to a soft blur or sharpen it to crystal clarity (Curved UHD bollocks). We can roll the image (Katie Price), make it flutter (Katie Price). We will control the vertical (Katie Price). We will control the horizontal (Katie Price). If we wish to make it softer (the flumps), we will tune it to a whisper. If we wish to make it louder (katie hopkins), we will bring up the volume. There is nothing wrong with your reality television set. ![]() It was by all accounts, rather successful, though I am sure broadcast hijacking happened even before then. "This is a false air-raid alarm, please go about your business as normal" kind of thing, or "ignore any messages you hear on other radio stations, the enemy have hijacked our frequencies" But we had a rather large (in fact the largest in the world) frequency agile transmitter in the sussex woods that would, within milliseconds, open up on whatever channel the Germans had just switched off and broadcast some confusing "grey" propaganda. When an enemy air-raid was imminent both sides would silence all localised radio transmitters to prevent their use for direction finding. Please try and research before publishing, ever heard of Aspidistra? British counter intelligence was rather proficient at intruding/hijacking/emulating German domestic broadcasts during WW2. Audio Post Lime Susie Boyajan, exec producer Matt Miller, mixer."The earliest known broadcast signal intrusion dates back to 1977, when an audio message purporting to come from outer space was broadcast on ITN." Editorial Cosmo Street Lawrence Young, editor Kacie Gomez, producer Marie Mangahas, head of production. Finishing/Color MPC Ricky Gausis, colorist Claus Hansen, Flame artist Robert Owens, managing director Karena Ajamian, producer. Production m ss ng p eces JJ Adler, director Damien Acevedo, cinematographer Ari Kuschnir, managing partner/founder Kate Oppenheim, Brian Latt, managing partners Dave Saltzman, exec producer/partner Edward Grann, exec producer Rebecca Davis, head of production Greg Jones, producer. ![]() art producer Antoinette Rodriguez, art producer Daniel Arnone, assistant producer Jeffery Garland, content creator/DP Kelly Mertesdorf, strategy director Katie Sherman, sr. studio designer Bryan Sweeney, director of integrated production Sloan Schroeder, group executive producer Dan Corken, group executive interactive producer Mimi McCormick, interactive producer Lisa Lee, group executive art producer Rosie Ollero, sr. JJ Adler of m ss ng p eces directed “Romance” as well as other spots in this campaign from agency Crispin Porter+Bogusky (CP+B).Ĭlient Agency CP+B Alex Bogusky, chief creative engineer Johan Eghammer, executive creative director Quinn Katherman, creative director Ryan Contillo, Donny Brunner, Mike Motch, Austin Mankey, associate creative directors David Carr, Dana Buckhorn, copywriters Martins Miller, Steph Langan, art directors Adam Skalecki, co-lead of design Karin Schwartz, designer Corey Blade, sr. Then another player enters the bathroom-Captain Obvious who comes to the rescue, pointing out the painfully obvious reasons why they hate-like their friends’ vacation posts and reminding them that can help them book brag-worthy trips of their own. Get Rewarded” TV spots include “Romance” in which a woman soaking in a bathtub looks longingly at a couple’s romantic getaway pic on her cellphone-the camera then revealing that her significant other, her romantic interest, is nearby sitting on the toilet. and U.K., pokes fun at this universal truth and offers people a solution to their travel envy. Get Rewarded.,” launching next week in the U.S. For the first time, is giving this ubiquitous but unspoken behavior a name and calling it what it is-the “hate-like.” In a new campaign, “Be there. The side-eye feeling when you know they’re just out for likes, but you double-tap it anyway. ![]() The secret envy after seeing your friends post their amazing vacation pics. It is inescapable every time you open your social feed. ![]()
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